Reconsidering The Brand Strategy Toolkit

Abraham Maslow, the man famous for formulating one of the most ubiquitous tools in the marketing toolbox, the Hierarchy of Needs, was also famous for admonishing against over reliance on one tool. His caution has come to be known as the law of the instrument or “Maslow’s Hammer”. “It is tempting, if the only tool you have is a hammer, to treat everything as if it were a nail”.

 

Evolving competitive market places have placed enormous pressure on brand strategy. Competition changes perceptions of the existing options by default. Maintaining differentiation then is more than a matter of updating positioning. It requires layered and nuanced approaches rooted in the customer experience, shared community, and brand purpose.

Positioning is indeed a powerful tool, especially when the competitive landscape is well demarcated, consumer targets are identifiable, and advantages reside largely in product performance or functionality. But over reliance on positioning can lead strategists to overlook other means of differentiation and possibly even spell disaster for their brand

 

The Case of Blockbuster’s TOTAL ACCESS

 

Blockbuster may be a case where over reliance on positioning lead to failure. In September 2010, the company filed for bankruptcy protection in order to reduce its debt to $100 million from $900 million and its shares are trading for 8 cents. The reasons for its downward slide are generally attributed to failure to adapt to changes in technology and consumer needs which were exploited by upstarts Netflix, Redbox, Vudu, and Hulu as well as non-traditional competitors like YouTube, Vimeo, video on demand, and the DVR. In retrospect, the story seems almost inevitable. After all, TIME magazine wrote off the Blockbuster brand as early as 2005. (“Blockbuster to Remake Itself Under Creditors,” Wall Street Journal, September 24, 2010.)

 

But the script didn’t need to run that way. Blockbuster had its chance and came closer than most people know to actually beating Netflix and the other new players at their own game.

In 2006, Blockbuster began actively fixing its brand issues. By 2007 they had eliminated customer-annoying late fees, upgraded many stores, and developed new ways of ensuring the right movie would be available at the right time. Most importantly, although late to the online subscription game, they scrambled and created an online offering that was every bit as good as Netflix and possibly better. A new program called TOTAL ACCESS allowed customers to return DVD’s received in the mail to the store and exchange them for new ones on the spot, thus addressing the single biggest flaw in the mail-delivery model –- lack of instant gratification. The TOTAL ACCESS program was backed by a $46 million television advertising campaign.

 

The impact was immediate. Subscriptions jumped to 4 million in 2007 and online revenue nearly doubled to 10.4% of total movie rentals. Store traffic also increased. While membership still trailed Netflix’s base of 7 million, Blockbuster’s position as the industry leader in rentals gave it tremendous leverage with Hollywood and with potential partners. Plans were in the works to create exclusive content and new ways of delivering the latest content faster and cheaper than anyone else. Netflix was on the run.

 

But the traditional positioning driven brand strategy underlying TOTAL ACCESS only allowed Blockbuster back in the game. While strategically sound, the program was insufficient to reinvent the brand and make consumers see it in a new way. To differentiate, Blockbuster needed to connect with customers in a new, more meaningful way. This kind of resonance would have required thinking beyond the functional or even the emotional advantages of being able to rent a movie both through the mail and a store.

 

In retrospect, Blockbuster could have chosen to reinvent the rental experience to incorporate more intangible, community oriented benefits that could only be delivered in-person. Renting a movie is about as exciting as going to the grocery store. There is very little rewarding about the experience. The best you can hope for is to get in and get out without being disappointed. What were the opportunities to improve the experience? Where was the emotional attachment to the Blockbuster brand? With over 35 million customers, there must have been some opportunity to elevate the experience, much as Target has elevated the mass merchandising experience, Starbucks has elevated the coffee experience, or Lexus has elevated the car shopping experience.

 

For a big brand like Blockbuster, re-imagining ways of differentiating based on non-performance dimensions would probably require delivering against the needs of a narrower segment that values a brick and mortar experience or at least knowing that their online experienced is backed by a physical presence (If you doubt the existence of such a group, just check out the lines at Apple’s Genius bar). It may even have required a new brand or sub-brand. These are not easy or comfortable choices. But as Jack Trout says in his new book, Repositioning, “…it’s better to be niched than dead” (p.60).

 

Would it have made a difference? Maybe not, but the possibilities are intriguing nonetheless.

 

Moving Beyond Positioning for Differentiation

 

Blockbuster is just one example of a brand that has succumbed to evolving competition. There is hardly a business today that doesn’t face competition from outside its category, and many are struggling. In this environment, continuing to rely on positioning as the sole or even primary source of differentiation could be a serious mistake. Instead brand managers must challenge themselves to seek multiple sources of differentiation.

 

While positioning is one way to establish a difference, another way is to map what, in an ideal world, customers would think and feel about the brand across multiple dimensions, including performance. The modern strategy toolbox recognizes that there are many ways to create and sustain strategic brand advantage, only some of which are Product or Usage focused. Others are more user or relationship focused.

 

A brand strategy simply is a plan for how a company will support its business strategy by building relationships with consumers. As the diagram illustrates, competitive advantage can be sourced from elements of customer service, design, or personality, as well as performance based on quality or value. It can come from a deep recognition and participation in a subculture or a sense of shared purpose or community. These methods of differentiation do not negate the value of positioning but suggest it is only one part of a complete brand strategy.

 

 

Carol Phillips (This email address is being protected from spambots. You need JavaScript enabled to view it.) is President, Brand Amplitude®, LLC, an independent consulting firm specializing in consumer insights, brand strategy and brand measurement. Carol Phillips teaches Brand Strategy at the Mendoza College of Business, University of Notre Dame.